THE COMMON GROUND: The Sky above Europe. Art and Culture in Times of War (EN)

Shownotes

Seht das Gespräch mit deutschen Untertiteln: https://www.bundeskunsthalle.de/en/studiobonn/cg-himmel-ueber-europa.html

The war of aggression against the Ukraine is resurrecting the spectres of the 20th century: The Russian president legitimises the destruction of a country that is led by a Jewish head of state and home to a burgeoning Jewish community as a ‘denazification programme’, and his supporters stylise themselves as victims of Nazi persecution. Has history become a video game, as Eva Illouz recently wrote in DIE ZEIT? https://www.zeit.de/zustimmung?url=https%3A%2F%2Fwww.zeit.de%2F2022%2F15%2Frussische-propaganda-juden-israel-krieg Is violence repeating itself because there is no collective memory in post-Soviet Russia, as Olga Grjasnowa argued in DER SPIEGEL? And do we, here in Germany, even have a map of shared cultural history on which we can situate the Ukraine? https://www.spiegel.de/kultur/ukraine-postsowjet-blick-auf-den-krieg-auch-wir-hatten-den-notfallkoffer-a-ab194156-8e56-4f5c-8c66-9f46bc01e1ad

THE GUESTS

In bestsellers like Gefühle in Zeiten des Kapitalismus (Adorno Lectures 2004), sociologist EVA ILLOUZ, born in Morocco in 1961, explores the shaping of human relationships by the media and the economy. Illouz is Director of Studies at the Centre européen de sociologie et de science politique, CSE-EHESS in Paris and Professor of Sociology at the Hebrew University of Jerusalem, from where she joins us. Eva Illouz' Article in DIE ZEIT

OLGA GRJASNOVA came to Germany from Baku via Moscow and Warsaw in 1996 as the child of Jewish intellectuals. Her acclaimed novels, including „All Russians Love Birch Trees“ and „Die juristische Unschärfe einer Ehe“ (‘The Legal Uncertainty of a Marriage) are sharply drawn portraits of a generation shaped by wars and migration. Her new essay „Die Macht der Mehrsprachigkeit“ (‘The Power of Multilingualism’) (Duden 2021) describes structural impediments in the German education system

On 20 February 2022, the artist VOLO BEVZA (born in Kyiv in 1993) travelled to Kyiv with his partner Victoria Pidust for the opening of his exhibition. Trapped by the Russian attack on the morning of 24 February, they both turned to forging tank barriers near Lviv. In paintings and installations, Bevza explores the social-media-fuelled crisis of the representability of reality. https://volobevza.com

Konzept und Redaktion: Kolja Reichert Regie: Frank Buchholz Redaktioneller Schnitt und Postproduktion: YELLAH! Studios Foto: Geza Aschoff © Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH 2023